Rough and elegant artworks from traditional aesthetic boundaries. Meta-narratives, pop, science, subculture artifacts, religious iconography and a wide breadth of literary references from therapeutic Nihilism to anti anti art with the will to Nothingness... that's Anton Unai's Statement.

His new film piece “TEAR drops” is glutton for anecdote, scavenger of detail, prisoner to religion, family, art, obsessions, light, purity, painting, sex, happy ends and death.  The motives retrieved in mirrors, salt mountains, fire ceremonies, widows, masks and double identities.