BEYOND THE STREETS
at saatchi london
It’s the biggest and most comprehensive graffiti and street art exhibition that has ever graced the UK’s art galleries: Beyond The Streets at London’s Saatchi Galery.
Paying homage to the forefathers and kings of graffiti, street art, hip-hop and punk rock, but also displaying original art, photography, installations and other surprises from a newer generation of rule-breaking, mark-making artists, this really is a must-visit show. It’s a phenomenal feast for the eyes, that also examines how these cultural narratives changed the public’s view of underground art and culture. Beyond The Streets features the works of Taki 183, Futura 2000, Stash, United Graffiti Artists, Martha Cooper, Toby Mott, Kenny Scharf, Glen E. Friedman, Dr Revolt, Malcolm Mc Laren, 3D and Goldie of the Wild Bunch, Jamie Reid, Stephen ESPO Powers, KAWS, Lawrence Watson, Paul Insect, Maya Hayuk, Eric Haze, Lady Pink, Shepard Fairey, FAILE, Beastie Boys, C.R. Stecyk III, Swoon, Felipe Pantone and many other artists.
BEYOND THE STREETS London runs until 9 May at London's Saatchi Gallery and is open daily from 10am to 6pm
Upon entering Saatchi Gallery, visitors will explore the graffiti-filled installation The Vandal’s Bedroom by American artist Todd James, whose works have been exhibited twice at the Venice Biennale.
In the first chapter ‘Music & Art Converge’, visitors will explore the socio-political turmoil of the late 70s and 80s, where the decline of cities met artistic resistance, a shift which was felt in both the US and UK. Youth culture responded by painting graffiti on walls and public transport, creating art that reflected and reimagined the times in an explosion of expression on the streets. It was about identity in the face of oppression, self-awareness, and self-discovery in a moment of a depleted economic outlook.
Through music and art, London meets New York, featuring works including FUTURA2000’s legendary 30 ft. painting, made on stage with The Clash, displayed along with the unparalleled contributions from Malcolm McLaren, MODE2 and American photojournalist Martha Cooper. Visitors will also be encouraged to browse and enjoy music at Trash Records, an interactive installation within a fully recreated record shop.
No area of Saatchi Gallery will be left untouched; visitors will be immersed by works and ephemera on view across hallways, tunnels and staircases and will enter rooms exploring the birth of graffiti like never seen before. These spaces will showcase a wall of Jenny Holzer’s truisms; Henry Chalfant’s photography of NYC train writers in action; together with AIKO’s timeless stencilling of delicate silhouettes and Gordon Matta-Clark’s extraordinary archive of graffiti photography.
The ‘Dream Galleries’ chapter focuses on a selection of American and European originators, photo documentarians and cultural icons who helped contextualize and spread graffiti culture around the world. In André Saraiva’s Dream series, there is a visual articulation of how graffiti, street art, hip-hop, punk, fashion and break-dancing all sprung from the late 1970s and early 1980s into the 90s and today, and became a hybrid celebration of underground culture. Featured artists also include Mister CARTOON, most famously known for his tattooing and Los Angeles murals; an extraordinary Beastie Boys installation featuring fashion and ephemera from the band’s prolific history; and LADY PINK’s feminist murals, illustrations and paintings.
The ‘Legends’ chapter will present icons such as legendary NYC artist, Eric HAZE, a torch bearer for generations to come; a new large-scale painting by abstract expressionist artist José Parlá; advertisement posters by KAWS, a prominent creative force; and unique ephemera by Keith Haring, one of the most popular street artists of the 1980s.
The ‘Blockbusters’ chapter will include works commissioned specifically for this exhibition by graffiti trailblazers Shepard Fairey, LA-based activist, and FAILE, a Brooklyn -based artistic duo taking over the streets of NYC since the late 90s.
‘Larger Than Life’ chapter will include a site-specific large-scale installation by LA-based icon Kenny Scharf who will present the largest to date Cosmic Cavern; an immersive and interactive installation consisting of Day-Glo paintings, ephemera, and reused materials found in the streets of LA. This chapter will also feature the signature puppet characters made from recycled materials by Paul Insect, one of London’s original street art pioneers.
The ‘Timeline’ chapter will take a deep dive into street culture history through archival photography, ephemera and fashion to contextualize the cross-pollination of influences across music, fashion and film. This chapter will also include a large wall vinyl by infamous feminist collective Guerrilla Girls – a deliberate nod to the fact that most street and graffiti artists, and indeed most well-known artists in contemporary art overall are men.
The closing chapters consist of ‘Social Commentary: Graffiti as a message’; ‘Art with Conscience’ containing works by hip-hop pioneer Fab 5 Freddy, and; ‘Consideration Into Innovation’ showcasing Lisbon-based artist, VHILS, who innovatively utilizes repurposed materials to reimagine city walls.